Vertical Video Filmmaking

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By Colin Marchon, Videographer/Editor

It’s official. Vertical video is here to stay and it’s demanding to be taken seriously.

The filmmaking world has noticed. The first exclusively vertical film festival was established in Australia.

The marketing world has noticed. Snapchat declared vertical video ads have 9x more completed views than horizontal counterparts.

There’s no denying its importance. As a filmmaker, it’s an exciting new art form that is creating a new set of rules and techniques to perfect video in the vertical form.

Any why shouldn’t people love it? It’s the most democratic form of filmmaking yet. It’s creating content that can be viewed beautifully and easily by billions of people at virtually any time.

So rather than cram a digestible list of vertical video techniques I’ve decided to dedicate a series of articles about taking advantage of the new art form. This month’s topic:

Location, location, location

 
 

Picking a location that has strong vertical architecture or allows for up/down movement or interaction greatly increases the aesthetics of a shot.

It’s no coincidence that The Vertical Film Festival (the first of its kind) takes place in the Blue Mountains in Australia. Its grand cliffs and mountains make for breathtaking vertical compositions.

The best locations for beautiful vertical compositions are places with tall structures like trees, cliffsides, and skyscrapers.

 
 

Tall architecture helps frame subjects appropriately in portrait-oriented wide shots. However, if the scene is between two mountain climbers, you have to be clever if you want good subject interaction or movement.

Think elevation. A woman on the sidewalk talking to a man hanging his head out a window in the apartment above. A group of teenagers hanging out on different steps of a stoop.

Or, flatten the space and point the camera down. Lovers lying down on the grass side by side. A man doing laps in a loop. A girl arranging the contents of her desk.

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Having a perfect location is great for vertical video, but it’s not absolutely necessary. In the coming months I’ll cover composition tricks and editing techniques that can help fit your story or brand in the vertical format.

Now get ready to stop hating vertical video. Embrace the accessibility of mobile video and start shooting vertical.
 

What has been the best vertical video example you’ve seen so far? Leave your thoughts in the comments below. This is part one of a two-part series. Read the second part here